The bass notes are all played with the thumb while the melody is played with a,m,i.īars 3-4: The implied Am chord presents some tricky left hand fingering. The full melody in Figure 2 below is the opening of Tárrega’s Malagueña Fácil. We’ve seen the simple Malagueña melody in Figure 1 above. $18.15 How to play the Malagueña melody on the guitar If you’re looking for a place to start with music theory as it specifically applies to the guitar, I recommend Music Theory for Guitarists by Tom Kolb. Tárrega uses the G# to build the E chord but then generally uses the E Phyrgian scale to build the remaining chords (Em – F – G – Am – Bdim – C – Dm). The G and G# are often used interchangeably in flamenco creating another unexpected but pleasing dissonance. While the scale still belongs to the same family as other ‘minor’ key modes, the tonal center (E) now becomes a major chord. This turns the scale into Phrygian Dominant (the fifth mode of the Harmonic Minor scale). However, Malagueña also contains a G#, which creates a minor third between the second and third notes (F to G#). While the notes and chords are the same for E Phrygian and A minor, the difference is the music resolves to E rather than A. This is the fifth mode of the minor scale (in this case A minor). The F turns the E minor scale into the E Phrygian scale (E – F – G – A – B – C – D – E). This gives it an exotic sound that is associated with Spain and can be heard in many flamenco forms. The Malagueña’s distinctive melody is largely due to two altered notes from the traditional E minor scale (E – F# – G – A – B – C – D – E): the F (a flat II) and G# (#III). The distinctive Malagueña melody is in E Phrygian Dominant mode. The upper E is played in response to each bass note, creating a characteristic droning sound. The melody is largely played on the bass strings. Malagueña is played in E open position, often referred to as por arriba in flamenco.
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